kissed by profane grace @ darkZone
Kissed by profane grace
Deirdre Sargent, Nicholas Sullivan, Philip Hinge
March 9, 2019
@
darkZone
New Jersey
When I was eleven, I moved with my family to a small suburb in New Jersey. With us, we brought generations of sentimental clutter. As time passed we continued to shed the debris of our suburban existence, which ultimately settled to the bottom of the house. Loosely organized mounds piled higher and higher, becoming archaeological cross-sections of our family’s cumulative nostalgia. As a teen, I would spend bored or depressed afternoons and nights rummaging through the evidence of my family’s past lives, trying to inherit feelings from objects I had little to no history with. Over the years the function of the basement changed for me. At various points it was a rehearsal space, a studio, a place to skate and somewhere to play video games. Ultimately, the basement was a place for me to be alone.
darkZone is a project-space in the crawlspace of the home Philip Hinge grew up in. Hinge’s parents still live in the house, but are planning to sell it sometime in 2019.
Philip Hinge, Gloomy Hall...And I knew, 20188, acrylic on canvas, 48”x32”
Nicholas Sullivan, Fan with Black Feathers, 2018, ostrich feathers, acrylic, motor, cedar, 10 x 96 x 96 in
Philip Hinge, Life?, 2018, acrylic on canvas, 16 x 20” &
Philip Hinge, Summoning 2018, acrylic on canvas, 16 x 20”
Philip Hinge, Summoning, 2018, acrylic on canvas, 16 x 20” &
Philip Hinge, Orange you glad?, 2018, acrylic on canvas, 16 x 20”
Deidre Sargent, two standing aliens —>Cinema mode (Neveda Orange Zetas) / Kneeling alien with toddler—> Earth’s Violent History, 2017, resin putty, wire, foam, miniature backpacks, 21”x8”x8 / 15”x9”x7”
Deidre Sargent, two standing aliens —>Cinema mode (Neveda Orange Zetas) / Kneeling alien with toddler—> Earth’s Violent History, 2017, resin putty, wire, foam, miniature backpacks, 21”x8”x8 / 15”x9”x7”
Deidre Sargent, two standing aliens —>Cinema mode (Neveda Orange Zetas) / Kneeling alien with toddler—> Earth’s Violent History, 2017, resin putty, wire, foam, miniature backpacks, 21”x8”x8 / 15”x9”x7”
Deidre Sargent, two standing aliens —>Cinema mode (Neveda Orange Zetas) / Kneeling alien with toddler—> Earth’s Violent History, 2017, resin putty, wire, foam, miniature backpacks, 21”x8”x8 / 15”x9”x7”
Philip Hinge, We Shall Be Unborn, 2018, acrylic on canvas, 32 x 48 in
Philip Hinge, Foggy Memories, 2018, acrylic on canvas, 20 x 16 in
Diedre Sargent, Alien Family, 2017, resin putty, wire, foam, miniature backpacks, 13 x 8 x 19 in
Philip Hinge, Search for Nocturnal Grace, 2018, acrylic on canvas, 20 x 16 in