Drawing Wow 2
Arno Beck, Donald Bernshouse, Kristina Bekker, Irma Blank, Leda Bourgogne, Jonathan Callan, Tom Chamberlain, Martin Dammann, Rolf-Gunter Dienst, Charlotte Dualé, Marcel Dzama, Marcel van Eeden, Nadine Fecht, Friederike Feldmann, Nina Mae Fowler, Rupprecht Geiger, Anna Gille, Julien Gobled, George Grosz, Chloe Grove, Toulu Hassani, Julius Heinemann, Ricarda Hoop, Thomas Kaminsky, Martin Kippenberger, Werner Knaupp, Schirin Kretschmann, Dieter Krieg, Philip Loersch, Robert Longo, Johan Lorbeer, Axel Malik, Przemysław Matecki, Tomoko Mori, Lisa Mühleisen, Kazuki Nakahara, Anna Nezhnaya, Tobias Pils, Tim Plamper, Laure Prouvost, Uwe Rachow, Matthias Reinhold, Max Renneisen, Jewyo Rhii, Tomas Schmit, Marc Schnubbzer, Stefan Schwarzer, David Shrigley, Milen Till, Hann Trier, Rinus Van de Velde, Nicholas Warburg, Claudia Zweifel
August 5-20, 2020
@
Kunstsaele Berlin
Bülowstraße 90
10783 Berlin
Photography: all exhibition views copyright and courtesy of Kunstsaele Berlin and Sammlung Bergmeier, Berlin.
What is a drawing and what are its qualities? Drawings are not just lines on paper, drawings can be much more. The curatorial collective »Drawing Wow« around Anna Gille, Philip Loersch and Tim Plamper now presents this diversity in »Drawing Wow 2« and will be hosted by Kunstsaele Berlin from 5 to 22 August 2020.
»Drawing Wow« sees itself as an artistic platform that deals with the long-term and sustainable mediation and linking of both contemporary positions as well as those that have become current again. The aim is to unfold the great diversity of the medium through ongoing exhibition projects and to create a dialogue that illuminates and questions drawing as a means of understanding reality.
Marcel Dzama, Untitled, 1998. Ink, watercolor and rootbeer on paper, 38 x 25,5 cm
Anna Gille, SHENMUE, Deep Green Way III, 2019. Charcoal on paper, 43 × 61 cm
Uwe Rachow, Untitled, 2020. Graphite and marker on paper as 12-colour pigment print, 21 x 29,5 cm
Rolf Gunter Diest, Untitled, 2004. Pencil on paper, 56 x 38,5 cm
Marcel Van Eeden, Untitled, 2015. Oil pastel on paper, 18 × 26 cm
Friederike Feldmann, Looks 7, 2019/20. Pastel on paper, 42 x 29,7 cm
Millen Till, Signature, 2018. Pencil on paper, 21 x 29,7 cm
Martin Kippenberger, Vielleicht haben Sie mehr in der Hose, 1996. Drawing on hotel paper 27,6 x 21,5 cm
Donald Bernshouse, Untitled, 1965. Pencil on paper, 28 x 21,5 cm
Nicholas Warburg, Notiz 12, 2020. Acrylic and fineliner on hotel paper, 15 x 10 cm
Schirin Kretschmann, Blank, 2020. In-situ work (plaster), 225 x 695 cm
Irma Blank, Osmotic Drawings C-3, 1996. Acrylic on formula paper, 23,7 x 16,7 cm
Max Renneisen, Badende, 2020. Charcoal, white chalk and red chalk on paper, 50 x 45 cm
Martin Dammann, Suffragette in Blei, 2013. Pencil on paper, 100 x 126 cm
Chloe Grove, thrown, 2018. Coloured pencil on paper, 144 x 114 cm
Matthais Reinhold, Hinterhof Garten, 2020. Pencil on paper, 48 x 48 cm
Nadine Fecht, Study for Die Bewegung, 2019. 1250 ballpoint pens on paper, 102 x 73 cm
Jewyo Rhii, Untitled, 2005. Pen and pencil on paper, 40 x 50 cm
Claudia Zweifel, La Promenade, 2016. Pencil on paper, 121 x 110 cm
Marc Schnubbzer, fein gesammelt, 2020. Ink on paper, 14,6 x 20,9 cm
George Grosz, Vaudeville, 1917. China Ink on paper, 28,2 x 22,2 cm
Tobias Pils, Untitled, 2016. Ink on paper, 152 x 106 cm
Leda Bourgogne, Chamade, 2020. Colored pencil on handmade paper, 29,7 x 21 cm
Lisa Mühleisen, Constructive Memory Shift, 2020. Acrylic varnish, edding, pen and toner on paper, 40,5 x 55,5 cm
Axel Malik, Untitled, 2020. Nib and acrylic on aludibond, 2 parts 220 x 30 x 1,5 cm, each
Toulu Hassani, Untitled, 2014. Mechanical pencil and oil on canvas, 61 x 43 cm
Johan Lorbeer, Sephirod - Maṭār ad-duwalī, 2017. Pencil and water colors on paper, 65 x 81 cm
Arno Beck, Accumulation II, 2019. China ink and pencil on rein hadern paper 160 x 122 cm
Werner Knaupp, from series Vulkan, 1968. Black ballpoint pen on paper, 45 x 58 cm
Julien Gobled, SCRIPT, 2020. Black and white print on glossy paper, 59,4 x 84,1 cm
Robert Longo, Study of Shattered iPhone Screen, 2016. Ink and charcoal on vellum 54,3 x 35,6 cm
Phillip Loersch, Rente aus Stein, 2020. China ink and acrylic on alabaster, 36 x 31 x 9,5 cm
Hann Trier, Untitled, 1961. China ink on paper, 48 x 62,5 cm
Thomas Schmit, so vermehrt sich delft, 1995. Pencil and colored pencil on paper, 52 x 43 cm
Stefan Schwarzer, Guanabo - La Habana – Cuba, 2020. Colored pencil on paper 70 x 70 cm
Anna Nezhnaya, THE GIRL IN THE CAGE, 2020. Neon tubes on aluminum frame, 70 x 40 x 25 cm
Dieter Krieg, Untitled, 1970. Mixed media on paper, 93,5 x 82,5 cm
Tim Plamper, Atlas 004, 2016. Pencil, ball pen and charcoal on paper, 200 x 150 cm
Julius Heinemann, Chronos & Kairos, 2015. Graphite on paper, 25,6 x 25,6 x 5,4 cm
Kazuki Nakahara, Lichtungen 03, 2019. Colored pencil on paper, 123 x 102 cm
Tomoko Mori, Maulwurfmigräne, 2020. Sand on paper on wall, 360 x 590 cm China ink on paper, 40 x 30 cm
Kristina Bekker, Hunter, 2020. Pen on paper, 5,2 x 5,5 cm Augmented reality, 300 x 400 cm
Nina Mae Fowler, Clark and Jean, 2011. Pencil, graphite and eyelets on paper, 114 x 157 cm
Ricarda Hoop, Le vaste paysage, 2017. Pencil and graphite on paper, 280 x 160 cm
David Shrigley, Untitled, 2016. Pencil on paper, 59,4 x 42 cm
Jonathan Callan, Waiting, 2006. Magazine erasure, 22 x 22 cm
Rinus van de Velde, It all took place in an impalpable greyness, 2009. Charcoal on paper, 99,2 x 73 cm
Przemyslaw Matecki, Giotto Ambrogio Bondone ‚Last Judgement, 2011. Charcoal on paper 43,4 x 34,5 cm
Charlotte Duale, TXT, 2020. Glazed ceramics, 45 x 320 cm
Laure Prouvost, In Grand Ma’s Dream Grand Dad Sculpture of Her Would Not Look Like This, 2019. Tapestry, 100 x 290 cm
Tom Chamberlain, Untitled, 2018. Pencil on paper, 70 x 80 cm
Rupprecht Geiger, 3/87, 1987. Graphite on paper, 64 x 76 cm
Thomas Kaminsky, Untitled, 1988. Pastel and pencil on paper, 53 x 36,8 cm