No fundo do mar @ Grinzing
No fundo do mar
Anna Bochkova, Daniela Grabosch, Jackie Slanley, Paulo Arraiano and Siggi Sekira
September 21 - October 21, 2020
@
Grinzing
Vienna
At the bottom of the sea lie white fears, / Where plants are animals / And animals are flowers./ A silent world which can’t be reached / By the turmoil of the waves. / Laughing open rounded shells / The seahorse swings. / An octopus moving along / In the disarray / Of his thousand arms, / A flower dances, / Vibrating noiseless in space. / Time rests over the sand / Light like a scarf. / But as beautiful as it is / It has a monster suspended from above.
[Translated from the portuguese original: "Fundo do mar" by Sophia de Mello Breyner Andresen, 1944]
Daniela Grabosch, BLUE RED YELLOW GREEN — RESULTING INTO GREY AREAS, 2020, interactive objects, 3D Print [Polyamide/PA12], scent, sound, dimensions variable (3D Prints approx. 9x7cm)
Paulo Arraiano, Sensorial Divinities (An Essay on Digital Immortality), 2019, Video, 1920 x 1080 px, Full HD, 05:43 min. (Video still)
Paulo Arraiano, Shall We Dance, 2019, Video, 1920 x 1080 px, Full HD, 03:29 min. (No fundo do mar installation view)
Anna Bochkova, Borderland, 2020, sculpture, plaster, medical gaze, 23x33x5 cm + Soft memories, 2020, sculpture, plaster, chain, medical gaze, 28x20 cm
Daniela Grabosch, [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02] [4320W JAUNE VIF], 2020, wearable object[s], cotton fabric, bronzed steel 3D Print, scent, boat rope, clothes hanger with clips, approx. 140x140cm (3D Print: approx. 7x7cm)
Siggi Sekira, Fire Cycle 2 & 3, 2020, drawing, coloured pencils on paper, 21 x 14,8 cm
Jackie Slanley, drawing, pen, color pencil and inkjet print on paper, 8” x 10” + drawing, pen and color pencil on paper, 11” x 14”
Siggi Sekira, In the Arms of the Deepest Forest, 2019, ceramic sculpture, glazed stoneware, 40 x 10 x 8 cm